The first Assassin’s Creed was a love it or hate it affair. The game was, to be honest, a proof of concept more than anything else, a playground where Ubisoft could test out a really impressive graphics engine. The game rightly caught flack for its repetitive nature and the general silliness of its sci-fi overtones, but there were a lot of people out there who believed that the series had some merit. The game ended up selling fairly well, so the green light was given on the sequel.
Whereas the original game took place mostly in 1191, the second Assassin’s Creed is set during Renaissance Italy around the late 15th century. While you still control hapless kidnap victim Desmond Miles during some sections of the game, you spend most of your time inhabiting the body of Ezio Auditore da Firenze, a brash young nobleman and banker’s son. The game starts off very similar to Grand Theft Auto where it walks you through a bunch of missions that teach you how the game’s mechanics work while setting up for the first big plot point. Some of the early missions are, admittedly, fairly stale but serve as a good introduction to the setting and some of the major characters you’ll be running across.
Ezio himself is far more likeable than Altair was in the first game. There’s no denying that Altair knew his business, but he wasn’t a sympathetic character. During the course of Assassin’s Creed II you’ll actually be rooting for Ezio as you pilot him through his trials and tribulations and, in a way, you’ll sort of feel like you actually grow with him. While the story does get kind of muddled around the end (I’m fairly sure the gaps in the plot will become downloadable content, but that’s just a guess), Ezio’s tale is full of likeable and hateable characters, and the writing and voice acting are both sharp.
Continue reading Review: Assassin’s Creed II
Dragon Age: Origins is the newest RPG epic from Bioware, creators of other notable titles such as Knights of the Old Republic, Jade Empire and Mass Effect. Their newest game takes things a little more old school, returning the quest programmers back to the days of yore, where dungeons waited to be crawled and dragons were there for the slaying. The studio has repeatedly said that Dragon Age: Origins was always a spiritual successor to Baldur’s Gate, and they weren’t kidding. But is it any good?
Ok, I won’t write a cheesy intro paragraph about Modern Warfare 2. You know what this game is. I won’t even make a statement about how you have to have been hiding under a rock to not know. I think it’s safe to say that we’re all familiar with this game, its controversies, and some of its more publicized info leading up to the epic launch this week. This is without a doubt the biggest title to drop this year. So, with all of the hype, how did it stack up?
Shooter fans have been used to a very ridged structure in their games so far: you progress through levels, you shoot stuff, you move on. Sometimes you pick up different guns, but mostly it’s an aesthetic change than an actual improvement on your previous weapon, barring the rifle-bazooka trade-up.
Unless you’ve been hiding under a rock for the last few months, you know that Uncharted 2 is the Playstation 3’s big great piece of hype, lying in wait to strike at just the right moment this holiday season. You also might know that the game is the object of a ridiculous amount of affection as gamers and reviewers alike swoon over its pixelated action. So, how does the game actually stack up? Let’s find out.
Alright, first things first: this is a review of the game itself. If you have anything political to say, please 
Hi folks. Just a quick introduction here… I’m Jeff, sometimes known as JJ, sometimes known as Unsquare. I’m the webmaster of the Smooth Few Films and Gamersushi sites. I’ve been getting back into gaming over the past year ever since I purchased myself an XBox 360, and I’ve been feeling the desire to contribute to this site a bit more now that I actually have opinions on games and such. Hopefully you’ll start seeing posts from me every once in a while. Can’t promise they’ll be as hilarious as Anthony’s Phantasy Star adventures, however.
Several years ago, I played two great titles in a unique genre back-to-back. Over the course of a couple of months, I enjoyed these two gems in a co-op setting with friends back before co-op was the new kool-aid. These two discs were known as Baldur’s Gate 2: Dark Alliance and Champions of Norrath. They were hack-n-slash games. And they were brilliant.
Every now and then in a generation, a game really comes along and surprises you. Just when you think that you won’t play another really great title for some time, something lands in your lap and is a joy to play again and again. Resident Evil 5 has been that game for me over the last few weeks.
Halo Wars was first introduced back at X06 with all the hype and subtlety of a flash grenade blinding your senses. Since then, the FPS turned RTS game has seen numerous delays and revisions before finally hitting store shelves in March 2009. So, was it worth the wait? Did the game live up to the Halo brand? How well does this console RTS play? Let’s talk about that.
Before there was Final Fantasy, before there was Mass Effect, there was Dragon Quest (Dragon Warrior previously). Dragon Quest was the RPG that focused on gameplay, grinding and consistency. It left the cinematics and mind-blowing graphics to other JRPGs, focusing on creating a fun world to explore with awesome monster designs and old-school notions. It’s actually more popular in Japan than Final Fantasy is. Shocking, no?
Ok, so Metal Gear Solid 4 came out last summer for the PS3, but some of us didn’t get a chance to finish the darn thing until recently, so sue me. I wanted to take some time away to reflect on finishing this epic saga that spanned multiple console generations, and review it without the hype of the story itself weighing me down. 
Last year, EA surprised much of the gaming world with several brand new titles that showed innovation and style, opening gamers up to the possibility that the company had turned over a new leaf. One of those titles was Mirror’s Edge, the first person platformer that puts you behind the eyes and in the shoes of Faith, a runner in a future dystopia. She climbs rooftops and leaps across alleys, and you control it all from her point of view.