If you want to know my opinion (and you’re reading a review that I wrote, so I’m going to assume that you do), Microsoft has had a very keen eye for franchises that will go on to become very influential in their generation. Halo informed the whole of the last generation and Gears of War did a fair bit to shape the direction of gaming in this one. While we did become a little sick of the “brown and grey” color schemes that dominated the first Gears, you can’t really deny that Epic has created something unique with their stop-and-pop shooter.
Indeed, it’s rare that a Gears game didn’t have a design element that was aped by the games that followed. If Gears one brought cover systems and a certain visual style to the masses then Gears 2 brought Horde mode which has been copied, to various degrees of success, by other notable franchises like Halo, Call of Duty and many more.
Now, after a wild five-year ride, we come to the end of this current trilogy of Gears of War games. If you’ve followed the story of the games all the way through, you know that humanity is out of the frying pan and in the fire, living as disparate bands, trying to survive as a new life form called “Lambent” overruns both them and their old subterranean foes, the Locust. Indeed, the first chapter of the game details the new living situation as Marcus and Dom are living aboard a dilapidated aircraft carrier and Cole and Baird are scrounging the mainland for food and supplies. With such a depressing beginning, does Gears of War 3 provide a nice, satisfying end to all the chainsawing insanity? Continue reading Review: Gears of War 3
